Judy Anderson is Nêhiyaw (Cree) from Gordon First Nation, Saskatchewan, Treaty 4 territory and an Associate Professor of Canadian Indigenous Studio Art in the Department of Art at the University of Calgary. Anderson’s practice includes beadwork, installation, hand-made paper, painting, three-dimensional pieces, and, collaborative projects all of which are deeply personalwith a focus on issues of spirituality, family, colonialism and Indigenous epistemological and ontological traditions.

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There is Life in There (2018-2019)

One of the teachings that has the most profound effect on me was the meaning ascribed to each of the four cardinal directions – the doorways to the north, east, south, and west – and subsequently the colors ascribed to them within Plains Cree spiritual beliefs. From this teaching I have come to understand that everything in existence is contained within the circle created by the relationship between these directions. This series honors this teaching, the colors, and the life that exists in these directions. At the same time it is deeply political speaking to failed colonial efforts to erase these teachings, our culture and language.

 

IMAGE LIST:

 

There is life in there (North) (2018-19) Judy Anderson in collaboration with Cruz Anderson, Italian beads on stroud cloth, 17” x 17”.

 

There is life in there (East) (2018-19) Judy Anderson in collaboration with Cruz Anderson, Italian beads on stroud cloth, 17” x 17”.

 

There is life in there (South) (2018-19) Judy Anderson in collaboration with Cruz Anderson, Italian beads on stroud cloth, 17” x 17”.

 

There is life in there (West) (2018-19) Judy Anderson in collaboration with Cruz Anderson, Italian beads on stroud cloth, 17” x 17”.

 

Photo credit: Anthony McLean

 

There is life in there installed at La Guilde, Montréal, Québec for “Beading Now!”.

 

Photo credit: Leah Snyder

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